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Sections
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Divisions
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Sub-Divisions
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Components
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Section A
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DANCE
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A1: Kathak
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- Brief history of other dance styles in India
- Acquaintance of Gharana of Kathak dance
- Rasa
- Knowledge of the relevant terms
- Technical terminology of the dance form.
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A2: Bharatanatyam Dance
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- History of the chief contributors of the past Dance form.
- Traditional costumes, make-up, and the Dance style opted.
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A3: Kuchipudi Dance
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- Traditional dance forms of the region
- Chief exponents of the dance form
- Formats used in Kuchipudi
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A4: Odissi Dance
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- Three styles of Chhau
- Lives and contributions of the three Gurus
- Natya Shastra, Abhinaya Darpana, and Abhinaya Chandrika
- ABHINAYA
- Rasa
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A5: Manipuri Dance
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- Past and present exponents of the dance form.
- Contents of Abhinaya Darpana.
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A6: Kathakali Dance
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- Life history of masters of the dance form.
- Hastha Lakshana Deepika and Natyasasthra.
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Section B
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DRAMA-THEATRE
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Modern And Contemporary Indian Theater
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- Modern and contemporary styles and works in Hindi/English
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Modern And Western Theater
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- Survey of major contemporary styles and works in English or English translation
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Theatre Production – Management And Performance
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- Readings on Theatre management and marketing
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Survey Of Acting Theory And Practice
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- Reading Stanislavsky, Strasberg
- Readings on play production
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Theatre Production
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- History of theatre architecture.
- Readings on production design-colour theory,
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Developing And Documenting The Research Project
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- Research projects in different aspects of theater.
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Section C
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MUSIC
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C1: Hindustani Melodic
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- Brief study of Gram, Murchhana, Varna, Alankar, Alap, Tana, Gamak, Meend, Kan, Khatka, Murki, krintan, Zamzama, Ghaseet, Sut.
- Classification of Ragas.
Development of the Time Theory of Ragas
- Detail study of Sangeet Ratnakar and Sangeet Parijat
- Life Sketch and Contribution of Abdul Halim Zafa, Inayat Khan, Mushtaq Ali Khan, Alauddin Khan
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C1: Hindustani Vocal
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- Detailed study and life sketches of some of the masters of this field.
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C2: Carnatic Music (Melodic Instrumental)
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- Detailed study and life sketches of some of the masters of this field.
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C2: Carnatic Music (Vocal)
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- Contributions of Kshetrajna, Annamacharya, Gopalakrishna Bharati, Swati Tirunal, Maha Vaidyanatha Iyer, Patanam Subramanya Aiyar.
- Study of musical forms and Manodharma Sangita.
- Definition of Prabandham, Janaka-Janya ragas, Upanga, Bhashanga Varja, Vakra ragas, Gamakas, Arudi, Eduppu.
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C3: Rabindra Sangeet
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- Knowledge of the Akar Matrik Notation System.
- Life Sketch of Rabindranath Tagore, Girish Chandra Ghosh, Kaji Nazrul Islam and Atul Prasad Sen
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C4: Percussion
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- Hindustani Percussion and notes on Chakradar, Uthan, Peskhar, and Baant
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C4: Percussion Instrumental (Mridangam)
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- Granthas with reference to Tala and percussion in Sangita Ratnakara, Chaturdandi Prakashika and Ragavibhodha, Svaramela Kalanidhi.
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